Download PDF Raising Henry: A Memoir of Motherhood, Disability, and Discovery Paperback - October 28, 2014By Rachel Adams

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• Published on: 1605
• Binding: Paperback

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Download Animal Jam: Official Insider's Guide (National Geographic Kids)By Katherine Noll

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The official guide to the amazing virtual world of National Geographic Kids Animal Jam, this colorful, fun companion book offers novices and expert gamers alike all they need to know. Richly illustrated with colorful photography and Animal Jam-style art, this book reveals never-before-known information about the game's world and its animal inhabitants. Packed with photos, facts, and fun, it's also a great guide to real-world animals, making it both a fact extravaganza and a game handbook.

• Sales Rank: #19770 in Books
• Brand: Noll, Katherine
• Published on: 2014-07-22
• Released on: 2014-07-22
• Original language: English
• Number of items: 1
• Dimensions: 9.00" h x .44" w x 6.06" l, .81 pounds
• Binding: Paperback
• 240 pages

About the Author
KATHERINE NOLL is the author of more than 50 books for children, including chapter books, picture books, activity books and more. As a seasoned game-guide writer, she's penned 12 books based on Disney's Club Penguin virtual world and several Pokémon handbooks, among other licensed properties. She lives in Pennsylvania's Lehigh Valley with her husband and daughter.

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Download Ebook American Green: Class, Crisis, and the Deployment of Nature in Central Park, Yosemite, and YellowstoneBy Stephen A. Germic

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In this work of interdisciplinary scholarship, Stephen A. Germic reveals how America's first parks, both urban and "wilderness," were created and organized to mitigate the most threatening social and economic crises in the nineteenth century outside of the Civil War. Germic analyzes the intentionally disguised relationship between the constructed "nature" of Central Park, Yosemite, and Yellowstone and the expanding but crisis-prone capitalist state.

American Green demonstrates how the fundamental function of these parks was economic and political―in the service of maintaining a consensus regarding national identity. The organization and control of "natural" space, Germic argues, is inseparable from its function as a capitalist instrument. This instrumentalism served not only to define, constitute, and segregate social groups, but also to promote racial and ethnic identifications above those based on class interest. Providing a fresh insight into United States labor, cultural and environmental history, this book is an important contribution to our understanding of American parks and the complex meaning of American public space.

• Sales Rank: #2670384 in Books
• Brand: Brand: Lexington Books
• Published on: 2001-05-25
• Original language: English
• Number of items: 1
• Dimensions: 9.02" h x .36" w x 5.92" l, .47 pounds
• Binding: Paperback
• 160 pages

Features

• Used Book in Good Condition

Review
This is a book that deserves to be read. (CHOICE)

Stephen A. Germic's American Green brings geography, ecocriticism, and narrative studies together in a historical materialist consideration of the national(ist) importance of parks in the nineteenth-century United States. Germic offers a compelling analysis of how the legislating and designing of national parks demonstrates the importance of "nature" and of space to articulations of U.S. nationalism. Considering Central Park alongside Yosemite and Yellowstone, he complicates conventional distinctions between urban and rural, city and frontier, east and west to show the ideological implications of these efforts to legislate nature and space....This work absolutely will be a significant contribution to several fields. (Priscilla Wald, Associate Professor of English, Duke University)

What emerges in the account is a cohesive and compelling portrait of nineteenth-century concepts of 'nature' as ideologically instrumental―intrinsically rather than incidentally connected to the perpetuation of class division and ethnic oppression. (Steven Rosendale, Northern Arizona University)

In this carefully argued and well-written book, Stephen Germic explores the spatial and rhetorical histories of two of the public monuments―the urban park and the frontier park―that played crucial roles in the formation of U.S. national identity. American Green will be widely reviewed and become required reading in courses in American studies and cultural studies. (Donald E. Pease Jr., Avalon Chair of Humanities, Dartmouth College)

About the Author
Stephen A. Germic is Visiting Assistant Professor in the Department of American Thought and Language, Michigan State University.

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Get Free Ebook ChancellorsvilleBy Stephen W. Sears

Get Free Ebook ChancellorsvilleBy Stephen W. Sears

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ChancellorsvilleBy Stephen W. Sears

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Sears descibes the series of controversial events that define this crucial battle, including General Robert E. Lee's radical decision to divide his small army--a violation of basic military rules--sending Stonewall Jackson on his famous march around the Union army flank. Jackson's death--accidentally shot by one of his own soldiers--is one of the many fascinating stories included in this definitive account of the battle of Chancellorsville.

• Sales Rank: #161101 in Books
• Published on: 1998-06-22
• Released on: 1998-06-22
• Original language: English
• Number of items: 1
• Dimensions: 9.00" h x 1.45" w x 6.00" l, 1.69 pounds
• Binding: Paperback
• 640 pages

Amazon.com Review
Many Civil War buffs have called the battle of Chancellorsville Robert E. Lee's greatest victory; Stephen W. Sears doesn't necessarily agree, and in this painstakingly researched book, he offers ample evidence that Lee had luck on his side in the battle. Lee was a great general all right, and his men did fight savagely. But the notion that Union General Joseph Hooker was inept is cast into doubt by Sears, who descibes the action of Chancellorsville as most great battle books do--hour by hour. This book is the finest rendition of the battle yet and an interesting thesis for Civil War discussion. Lee's penchant for aggressiveness and his faith in his troops as unbeatable may have worked at Chancellorsville, but Sears argues that these alone couldn't win the war. Lee learned this lesson too, a month later at Gettysburg.

From Publishers Weekly
Chancellorsville was one of the Civil War's pivotal campaigns, a great victory for the South that, however, led directly to the death of top Confederate general Stonewall Jackson. It hasn't generated the amount of literature devoted to most major Civil War battles, largely because John Bigelow's 1910 classic, The Campaign of Chancellorsville, seemed for years to offer the last word. But Sears, employing a mix of published and unpublished primary accounts to buttress secondary studies, manages to offer more than one new word in a thoroughly engaging text. Most notable is his use of Union military intelligence reports to show how General Joseph Hooker was fed a stream of accurate information about Robert E. Lee's troops; conversely, Sears points out the battlefield communications failures that hampered the Union army at critical times. He also examines the roles of Hooker and his corps commanders, finding that half of the latter badly served their commander in the campaign. On the Confederate side, Sears analyzes Lee's faulty intelligence and his relationships with his subordinates. Throughout, he highlights Lee's marvelous good luck, as well as his army's fighting capability. One of the book's three appendices explores several of the battle's "romances"?e.g., Jackson's wounding, Alfred Pleasonton's false stories?while two other appendices present orders of battle and casualties. A model campaign study, Sears's account of Chancellorsville is likely to remain the standard for years to come. Maps and photos not seen by PW.
Copyright 1996 Reed Business Information, Inc.

From Library Journal
Sears turns his formidable skills from General George McClellan (To the Gates of Richmond, Ticknor & Fields, 1994) to "Fighting Joe" Hooker and the last great battle in which Napoleonic-style tactical offense prevailed. Sears's almost hour-by-hour account of soldiers under fire will confuse some, but close readers will find a stunning analysis of how terrain, personality, chance, and other factors affect fighting and distort strategic design. Sears offers new information on the "modern" intelligence gathering of the Union Army, refutes many old "romances" of Chancellorsville, especially the one that Hooker lost his nerve, and adds vital details to both commanders and battle movements. He also shows that Hooker, more than McClellan, made the Army of the Potomac into "the finest army on the planet"?one that survived bad generalship and Robert E. Lee's aggressive moves at Chancellorsville. Sears also reminds us that "character" and "will" count for much in war. The Confederacy did not die with Stonewall Jackson at Chancellorsville, as Southerners often lament, but many men did and to little purpose. Battlefield victory alone did not win the war. A tour de force in military history.?Randall M. Miller, St. Joseph's Univ., Philadelphia
Copyright 1996 Reed Business Information, Inc.

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Free Download Human Rights in World History (Themes in World History)By Peter N. Stearns

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Defended by a host of passionate advocates and organizations, certain standard human rights have come to represent a quintessential component of global citizenship. There are, however, a number of societies who dissent from this orthodoxy, either in general or on particular issues, on the basis of political necessity, cultural tradition, or group interest.

Human Rights in World History takes a global historical perspective to examine the emergence of this dilemma and its constituent concepts. Beginning with premodern features compatible with a human rights approach, including religious doctrines and natural rights ideas, it goes on to describe the rise of the first modern-style human rights statements, associated with the Enlightenment and contemporary antislavery and revolutionary fervor. Along the way, it explores ongoing contrasts in the liberal approach, between sincere commitments to human rights and a recurrent sense that certain types of people had to be denied common rights because of their perceived backwardness and need to be "civilized". These contrasts find clear echo in later years with the contradictions between the pursuit of human rights goals and the spread of Western imperialism.

By the second half of the 20th century, human rights frameworks had become absorbed into key global institutions and conventions, and their arguments had expanded to embrace multiple new causes. In today’s postcolonial world, and with the rise of more powerful regional governments, the tension between universal human rights arguments and local opposition or backlash is more clearly delineated than ever but no closer to satisfactory resolution.

• Sales Rank: #720600 in Books
• Brand: Brand: Routledge
• Published on: 2012-06-13
• Original language: English
• Number of items: 1
• Dimensions: 9.10" h x .50" w x 6.10" l, .75 pounds
• Binding: Paperback
• 216 pages

Features

• Used Book in Good Condition

About the Author

Peter N. Stearns is Provost and Professor of History at George Mason University. He is Series Editor for Routledge's Themes in World History and founder and editor of the Journal of Social History. He is co-author of Premodern Travel in World History (2008) and author of Childhood in World History (2nd edition 2010), Globalization in World History (2009) Sexuality in World History (2009) Gender in World History (2nd edition 2006) and Western Civilization in World History (2003) all in this series.

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Download Ebook Happy Hour in Hell: A Bobby Dollar Novel, Book 2By Tad Williams

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Bobby Dollar has a problem or four of epic proportions.

Problem one: his best friend Sam has given him an angel's feather that also happens to be evidence of an unholy pact between Bobby's employers and those who dwell in the infernal depths.

Problem two: Eligor, Grand Duke of Hell, wants to get his claws on the feather at all costs, but particularly at all cost to Bobby.

Problem three: Bobby has fallen in love with Casimira, Countess of Cold Hands, who just happens to be Eligor's girlfriend.

Problem four: Eligor, aware of Problem three, has whisked Casimira off to the Bottomless Pit itself, telling Bobby he will never see her again unless he hands over the feather.

But Bobby, long-time veteran of the endless war between above and below, is not the type of guy who finds Hell intimidating. All he has to do is toss on a demon's body, sneak through the infernal gates, solve the mystery of the angel's feather, and rescue the girl. Saving the day should just be a matter of an eon or two of anguish, mutilation and horror. If only it were that easy.

• Sales Rank: #166518 in Audible
• Published on: 2013-09-26
• Released on: 2013-09-26
• Format: Unabridged
• Original language: English
• Running time: 975 minutes

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Ebook Free Slaves on Screen: Film and Historical VisionBy Natalie Zemon Davis

Ebook Free Slaves on Screen: Film and Historical VisionBy Natalie Zemon Davis

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Slaves on Screen: Film and Historical VisionBy Natalie Zemon Davis

Ebook Free Slaves on Screen: Film and Historical VisionBy Natalie Zemon Davis

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The written word and what the eye can see are brought together in this fascinating foray into the depiction of resistance to slavery through the modern medium of film. Davis, whose book The Return of Martin Guerre was written while she served as consultant to the French film of the same name, now tackles the large issue of how the moving picture industry has portrayed slaves in five major motion pictures spanning four generations. The potential of film to narrate the historical past in an effective and meaningful way, with insistence on loyalty to the evidence, is assessed in five films: Spartacus (1960), Burn! (1969), The Last Supper (1976), Amistad (1997), and Beloved (1998).

Davis shows how shifts in the viewpoints of screenwriters and directors parallel those of historians. Spartacus is polarized social history; the films on the Caribbean bring ceremony and carnival to bear on the origins of revolt; Amistad and Beloved draw upon the traumatic wounds in the memory of slavery and the resources for healing them. In each case Davis considers the intentions of filmmakers and evaluates the film and its techniques through historical evidence and interpretation. Family continuity emerges as a major element in the struggle against slavery.

Slaves on Screen is based in part on interviews with the Nobel prize–winning author of Beloved, Toni Morrison, and with Manuel Moreno Fraginals, the historical consultant for The Last Supper. Davis brings a new approach to historical film as a source of "thought experiments" about the past. While the five motion pictures are sometimes cinematic triumphs, with sound history inspiring the imagination, Davis is critical of fictive scenes and characters when they mislead viewers in important ways. Good history makes good films.

• Sales Rank: #2289464 in Books
• Brand: Brand: Harvard University Press
• Published on: 2000-09-29
• Original language: English
• Number of items: 1
• Dimensions: .67" h x 5.84" w x 8.52" l,
• Binding: Hardcover
• 176 pages

Features

• Used Book in Good Condition

From Publishers Weekly
A history professor at Princeton University, Natalie Zemon Davis (The Return of Martin Guerre; Women on the Margins) is also a seasoned critic of historical film. With Slaves on Screen: Film and Historical Vision, she discusses how movies represent history differently than books do. Can narrative films achieve the accuracy and authenticity that writers can? "Can there be lively cinematic equivalents to what prose histories try to accomplish in prefaces, bibliographies, and notes and through their modifying and qualifying words 'perhaps,' 'maybe,' and 'we are uncertain about'?" In order to answer these questions, Davis looks at a handful of films that have attempted to capture themes of slavery, struggle and rebellion (Spartacus, Burn!, The Last Supper, Amistad and Beloved) and analyzes the devices they've used to convey history, as they understand and wish to express it. It is her hope that "with patience, imagination, and experimentation, historical narration through film could become both more dramatic and more faithful to the sources from the past." (Harvard Univ., $22.95 176p ISBN 0-674-00444-2; Sept.) Given that Shakespeare is one of the world's most famous interpreters of history, it seems fitting that the 14 academics whose essays form Shakespeare, Film, Fin de Si?cle believe that the recent surge of Shakespearean films (Shakespeare in Love, Hamlet, Richard III, Romeo and Juliet) reflects modern man's association of millennium-sized issues with the Bard himself. Edited by Mark Thornton Burnett and Ramona Wray (respectively, a reader and a lecturer in English at Queen's University of Belfast), the volume tackles such topics as advancing technology, families at risk and cultural intolerance. Included among the provocative pieces is a gem of an interview with Kenneth Branagh. (St. Martin's, $42 272p ISBN 0-312-23148-2; Aug.)
Copyright 2000 Reed Business Information, Inc.

From Library Journal
Davis (history, emeritus, Princeton Univ.) branches off from her central studies on 17th-century French and women's history to assess the historical truths of five films on slavery: Spartacus, Burn!, The Last Supper, Amistad, and Beloved. Here, slavery itself serves as a springboard for a larger consideration: respect for the historical record vs. a need for dramatic effect. Davis argues convincingly for the historical film as a source of "thought experiments" about the past rather than pure presentation of fact. Although brief, this monograph is a fitting companion volume to the library of film history works, including Robert A. Rosenstone's Visions of the Past (Harvard Univ., 1995) and Robert B. Toplin's History by Hollywood (Univ. of Illinois, 1996). Recommended for all film studies collections.DAnthony J. Adam, Prairie View A&M Univ. Lib., TX
Copyright 2000 Reed Business Information, Inc.

From Booklist
Davis, a historian with a concentration on people outside traditional power centers, explores the treatment of slaves on film from a historical perspective. She analyzes five films: Spartacus as an example of resistance and survival, Burn and The Last Supper as reflective of ceremony and revolt, and the more contemporary films Amistad and Beloved as witnesses of trauma. In each topic area, Davis sets up the complex interplay between historically supportable fiction and imagination. Clearly, each of these films reflects strong foundations rooted in historical research. Yet the various film applications merit different responses. As in much of "history," much in films is unknown. That is due to the filmmakers inclination to embellish through speculation and imagination; but the historical alterations that take place, Davis advocates, should be acknowledged to film viewers so that they may distinguish between historical fact and fiction. This short work should be very informative for those interested in an analysis of the historical treatment of slaves in American films. Vernon Ford
Copyright © American Library Association. All rights reserved

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